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The Pharmaceutical
Journal Vol 267 No 7160 p208 |
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In a maze |
In a mazeMazes and labyrinths are strange things. They have been constructed by people of almost all cultures, from Scandinavia to Australia and Peru to the Far East, although they seem to have featured most in those centres of civilisation, Crete and Egypt. Sometimes mazes and labyrinths are regarded as synonymous. Purists insist that they are distinct, a labyrinth being a structure comprising a complicated, winding passage through which it is possible to find a way to the centre, whereas a maze involves a network of intercommunicating paths involving the penetrator in repeated choices of route which, with one exception, lead to dead ends and call for a new attempt. A famous labyrinth dating from about 2000BC near Lake Moeris in Egypt comprises about 3,000 linked apartments, half of them underground. The notorious Cretan labyrinth, designed by Daedalus for King Minos, and housing the Minotaur, must really have been a maze, since it was necessary to lay down a guideline thread to discover the route from its recesses. The Lemnian labyrinth was a structure through which the wanderer had to thread his way among 150 stone columns. In Clusium, Lars Porsena of Etruris constructed a maze for his tomb. Theodorus in 540BC constructed the Samian labyrinth. In Britain the famous Woodstock maze was designed by Henry II in 1176 to conceal his Fair Rosamond from the attention of the Queen. The hedge maze at Hampton Court Palace is the oldest survivor of its type, and of the 100-odd turf mazes once known in Britain only eight survive intact. Turf and stone mazes, where the boundaries are only ankle-high, are of course far easier to negotiate than the hedge type, where barriers impede sightings. One of the most interesting mazes of this type is on the island of St Agnes in Scilly, attributed to a lighthouse keeper in 1729 and sadly disturbed by fanatical dowsers in 1989. Indeed, there are many modern labyrinths on the Isles of Scilly, constructed of large pebbles from the shore, and either circular or square in design. It is thought that the original mazes in folklore were intended not as puzzles but for some ritual reason. Coiled patterns in turf were intended to be run round without touching the banks, then reversing at the centre and retreating to the periphery without clashing with other performers. John Aubrey in 1686 records that a Dorset maze was run regularly by young people on holy days, and sometimes by schoolboys at other times. And Aubrey mentions a famous maze at Tuthill Fields in Westminster, popular during summer fairs. In our own times, gardens are sometimes laid out with mazes composed of box hedges, but a recent novel idea has been the construction of seasonal mazes in crop of maize. The past few years have seen a small but growing number of such mazes built across Britain and open to the public. One current example is on a 450-acre farm near Saltash in Cornwall. A six-acre area was ploughed and sown with maize in May, in the shape of a Cornish shield and involving two wooden bridges. The dense crop is chest-high, and provides a colour scheme of black and gold, with a tin mine at the centre. After September the crop is due to be harvested and fed to the livestock, the maze to be regrown next season. This certainly represents a novel approach to the ancient art of maze and labyrinth construction.
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