The cuckoo and the chiffchaff: distinctly different harbingers of spring
There is an ancient saying that the cuckoo is the “harbinger of spring”. Acccording to the dictionary definition, a harbinger is a forerunner or someone who announces the approach of someone else. We take it to mean that the cuckoo marks the arrival of spring in advance of any other creature. This, as Gilbert
White the naturalist commented in 1780, is misleading. We may first come across
a cuckoo at some time between the end of March and the middle of April, and there
is great variation in the date when the bird decides to make its presence known.
In contrast, we may expect to hear the chiffchaff at least a couple of weeks
in advance of the cuckoo. The two birds have a resemblance in that they both
have a
two-tone call, although their calls cannot be confused. Lord Grey of Fallodon
in 1927 commented that the first hearing of the chiffchaff marked the beginning
of the progress of a new year as it flitted among tall trees, preferably beech,
uttering its onomatopoeic call.
The cuckoo has a mass of folklore behind it, in contrast with the humble chiffchaff.
When you hear its call for the first time, it is said to be fortunate if it is
from your right and unfortunate if it is from your left. At that time you should
turn over any money in your pocket, and if there is none there you may expect
ill-fortune. The number of the bird’s calls foretells the number of years
your life will endure. If the frequency of calls is high, look out for rain in
the near future.
Pliny wrote in the first century AD that when you hear the cuckoo for the first
time you should gather up soil on which your right foot rests, since it will
help you to discourage fleas.
In Shropshire collieries there was a custom when the first cuckoo was heard of
claiming a holiday and having a drinking session. In other places there was a
tradition that building a wall round a perched cuckoo and preventing its egress
would prolong summer weather. It may be that this gave rise to the practice of
calling someone a cuckoo because they were thought stupid.
The variation in pitch of cuckoo calls throughout the season is obvious. This
has complicated their representation in musical orchestral scores. Arne, Bach,
Beethoven, Delius, Mahler, Leopold Mozart, Rameau, Respighi and Saint-Saens are
among composers who used the cuckoo call.
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