The Bard of Avon raises a fresh controversy
A commentary published in the 25 February issue of New Scientist brings attention to one more question to add to the many that surround William Shakespeare.
Imaging techniques have shown that the Davenant bust now in London’s
Garrick Club represents the same individual we see in portraits of Shakespeare.
Moreover, a study of its facial features matches accurately with Shakespeare’s
death mask belonging to the city of Darmstadt.
A researcher from the University of Mainz has asked a German criminal investigator
to compare the bust with an engraving and two paintings, including the famous
Chandos portrait, believed to be of Shakespeare. A forensic test used to test
facial images to establish identity has demonstrated a close match of the eyes,
nose and lips of the paintings and bust, and the conclusion is that the death
mask is genuinely of Shakespeare. Laser studies have shown perfect matches between
forehead, eyes and nose. Although the lips of the death mask are thinner than
those on the bust, this could be due to natural shrinkage with loss of blood
pressure. Some British experts remain unconvinced and it has been pointed out
that many representations of Elizabethan men were touched up to make them look
more intelligent and rich, hence they were not always true likenesses.
Some critics have argued that the bust’s resemblance may not be accurate
since they suspect it was made some 142 years after the playwright’s death
by the French sculptor Louis-François Roubiliac. But the researcher claims
to have traced the history of the bust back to 1613, so Shakespeare could have
commissioned it.
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