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Int J Pharm Pract 2002:10:201-212

Lyndhurst, Burnthouse Lane, Toft Monks, Beccles, Suffolk, England NR34 0ES

Malcolm E. Brown, PhD, MRPharmS, pharmaceutical consultant and locum pharmacist

University of Salford

Paul Bellaby, MA, PhD, reader in sociology and director of Institute for Public Health Research and Policy

Correspondence:Dr Brown

mebrown@meb-qp.co.uk

Int J Pharm Pract 2002:10:201-12

Original Papers

Community pharmacy as a performance: a participant observer's account of a day in the life of a locum

MALCOLM E. BROWN and PAUL BELLABY

Objective — To understand, from a dramaturgical viewpoint, the performance of "community pharmacy."

Method — Participant observation supported by focus groups and semi-structured interviews; the study adopted a grounded theory approach.

Setting — Fieldwork was conducted within 21 community pharmacies in East Anglia, England.

Key findings — Pharmacists identify with their setting and stage props. On the stage of community pharmacy, the pharmacist crucially converts the drug into medicine, during a complex and well-rehearsed performance. There are sometimes distractions, which make the performance sub-optimal. Other insights included what counts as error, how to manage stress, and the fact that the trust on which professional practice rests is at stake when expressive performance fails.

Conclusion — It is possible to conduct ethnography of community pharmacy and this is among the first such studies of British community pharmacy. Were the pharmacist to leave the stage and its props (the drugs), only to advise patients on medicines, the performance of community pharmacy, as we know it, might disappear.

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